BEE NEWS: Bees on the road and new open called

Bee news number 1!

Well, rather beautifully and smoothly, the second leg exhibition is going on the road.

Hurrah!

So, where is it going?

Well, tomorrow Shaun the Angel myself head off to Swindon to the Richard Jefferies Museum to see Mike and Suzie and the team to collect all 107 pieces of art.

We’ll lovingly wrap them and pop them in the car and drive them back to somerset.

And then on Wednesday, we will be taking them to Donna in Langport at For Every Cloud, ready for the reopening of the exhibition in August.

Isn’t that brilliant – I am sooooo chuffed.

It will the same exhibition yet totally different because of the change of gallery.

I hope some of you get the change to come and see it.

And in bee news number 2, a new open call.

“What?” I hear you cry, “already?”

Well, yes, these Bee spectaculars don’t organise themselves, you know!

So, if you’d like to participate in the third part of this exciting Bee project , nows your time to shine.

We are looking for a wide variety of people from all spectrums of the Arts.

The deadline is the end of august so you’ve plenty of time but don’t leave it too late…..the number of times I’ve heard, “oh, I missed the deadline….!”

Well, notice given , you lovely lot – we want you!

https://goo.gl/forms/uRfNKaBINb3i0ueh1

And, how about sharing this post?

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Drawing, walking

Told you I’d #showyoumine …. footprints sketchbook.

How appropriate is it that Shaun the Angel would say this as we sat together at the edge of the woods, drawing, talking….

“Pastel sounds…flip flop sounds and your high-viz feet.”

Looking with new eyes

Seeing things with fresh eyes.

Good morning everyone, I’m drinking tea in bed (proper tea: leaves, pot, cosy, tray). And I looked at the tea cosy, and I saw the tea cosy but it was like it was the first time.

This was given to us second-hand, years ago, by a much beloved aunt, and she’d had it for years so it’s very familiar. Yet I don’t think I’ve every looked at it and taken in how beautiful it is, how evocative and how well made. I can imagine walking in that garden gate and seeing all the flowers – think about all of the insects those plants could feed. It’s a proper chocolate box cottage. Looking at it has made me realise that a) I need a break and b) I need to be paying attention.

Yesterday I made a Bee that I really didn’t like, it didn’t work – it felt like it was was part of a production line. So, today, I stop, regroup, spend time in the garden, discard that Bee and then start again – I can’t ‘churn’ out products, they have to be created with love and care.

Have a great day, people, and thanks for the ongoing love and support.

The merit of mistakes

Anyone who’s even been to one of my classes knows that, sometimes, often, I bang on about how mistakes are the only way we learn.

Well, I’ve just proved my own point and I’ll explain why.

Last week, at one of my favourite charity shops, I found some really beautiful vintage crewel wool. (I don’t know what that is, please explain someone?)

I thought it would be perfect for the bees and for the landscape pictures I’m teaching at The Brewhouse Theatre soon.

Today, working on Bee53, I thought I’d use some for the wings. Now, my logical brain knew it wouldn’t work, not THROUGH firmly felted wool – too tough, too dense.

Surprise, surprise, the yarn snapped- d’oh and duuuuh!!!

But look at the result…I love the way the wings are floating in the air.

Will I keep them like this?

Are they finished?

Can I recreate it?

Who knows, but it’ll be fun finding out.

So, children, adults, makers, artists etc – let’s make mistakes. Do share!

A year ago, how time flies

It was a year ago yesterday that myself, Polly, Joy and Donna had a meeting at ACEarts to discuss the FIFTY BEES exhibition. We sat on the sofas, measured walls, talked and talked and decided that these three wonderful women would be called the beekeepers.

Why?

Well, with fifty artists to coordinate, it made sense to share out some of the work. Now, I look back at this picture with amazement.

We had no idea how it was going to work, whether the story of the bees would translate into an exhibition, whether anyone would be interested.

But, wow! It was wonderful. The fifty artists made such a wide variety of art, amazing responses to these incredible creatures.

But it wouldn’t have worked without the enthusiasm and keenness of them all as well as Nina and the team at the gallery.

Now, we’re gearing up for the next leg of the journey at Richard Jefferies Museum – can’t wait. Thanks everyone.

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#vintagecontainer #bees #fiftybees #artists #somersetartist #opencall #interconnectedness

‘If I’m Not Back I’m There’

Poor photographers, wonderful exhibition.I’m not usually short for words but I am for this one.

’If I’m Not Back I’m There’ by Edwina Bridgman at ACEarts just had me spellbound, transfixed, enlightened and happy. 

So much to see on one central display, get down and look at it as a child would see it.

Papier-mâché, found materials, card, clay. 

2 and 3-dimensional work exploring found objects and unexpected materials to create a body of work around people and their animals.

I so admire Edwina’s deft handling of her materials – quite jealous of her confidence.

Go, see, enjoy.

OPENING TODAY – Bees: the interconnectedness of all things at Bruton School for Girls 

The girls worked so beautifully hard and enthusiastically to produce a fabulous collaborative installation.

Three days, 80 plus students and a handful of staff produced a whole host of British bees which are now hanging in the gallery at the Bruton School for Girls.


‘Taught by Lydia Needle, Bruton School for Girls students will sculpt tiny, lifesize British bees in wool, representing just a few of the 260 varieties left in theUK. 

The bees become artworks as part of a whole school installation in the school’s gallery. To follow up this work, the students will research the habitats and ecosystems, the flora and fauna that rely on bees, to create companion artworks. Our objective is to raise awareness of the diversity of bees in Britain and to spread the story – using art as a medium – as far as possible.’ SAW guide 2017.